Once one is caught up into the material world not one person in ten thousand finds the time to form literary taste, to examine the validity of philosophic concepts for himself, or to form what, for lack of a better phrase, I might call the wise and tragic sense of life. By this I mean the thing that lies behind all great careers, from Shakespeare’s to Abraham Lincoln’s, and as far back as there are books to read — the sense that life is essentially a cheat and its conditions are those of defeat, and that the redeeming things are not “happiness and pleasure” but the deeper satisfactions that come out of struggle.
“What quality is it that contains at once this simplicity and this majesty, this softness and this strength? . . . It is what all of Us — the terribly intelligent, the unhappy, the artistic, the divided, the overwhelmed — most intimately worship, and most passionately, most vainly love.”
— Lytton Strachey
“Personally, I experience the greatest degree of pleasure in having contact with works of art. They furnish me with happy feelings of an intensity that I cannot derive from other sources.”— Albert Einstein — Quoted by Moszkowski in Conversations with Einstein, 184
I was fascinated by my discovery of the above picture on the internet recently. The picture looks like it might have been taken yesterday, and yet it’s actually a colorized 1931 black and white photo of Albert Einstein being escorted by Charlie Chaplin at the premiere of Chaplin’s new film, City Lights.
Most of us know Einstein as a towering scientific genius, but he was also a devoted patron of the arts. A man of immerse scientific and mathematical knowledge, he felt that the human imagination and a wonder at the mysteries of life were two of the greatest motivational forces of the human spirit.
As Einstein knew, science, at best, can tell us the what about the world, but it’s only in the Arts and Humanities (which includes religion) that we can discover the why or meaning of our lives. As Einstein told a friend, “It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure.”
From Joseph Epstein’s new essay, The Bookish Life: How to Read and Why:
What is the true point of a bookish life? Note I write “point,” not “goal.” The bookish life can have no goal: It is all means and no end. The point, I should say, is not to become immensely knowledgeable or clever, and certainly not to become learned. Montaigne, who more than five centuries ago established the modern essay, grasped the point when he wrote, “I may be a man of fairly wide reading, but I retain nothing.” Retention of everything one reads, along with being mentally impossible, would only crowd and ultimately cramp one’s mind. “I would very much love to grasp things with a complete understanding,” Montaigne wrote, “but I cannot bring myself to pay the high cost of doing so. . . . From books all I seek is to give myself pleasure by an honorable pastime; or if I do study, I seek only that branch of learning which deals with knowing myself and which teaches me how to live and die well.” What Montaigne sought in his reading, as does anyone who has thought at all about it, is “to become more wise, not more learned or more eloquent.” As I put it elsewhere some years ago, I read for the pleasures of style and in the hope of “laughter, exaltation, insight, enhanced consciousness,” and, like Montaigne, on lucky days perhaps to pick up a touch of wisdom along the way.
As a collector of Mark Twain books and paraphernalia, I recently came across a load of pictures, some of which I’d never seen before. Here is one of them and the perfect quote to go along with it!